Ceramics Residency January-April 2025
A Practice-Based Approach to Learning
Please see [The Potter's Paradox]    [Contemporary Ceramics Education]
Proposals are invited from traditional potters and studio potters
What should participants not expect?
What can participants expect?
What are the charges?
Is there an examination for entry?
Is there a certificate awarded at the end?
What are learning outcomes?
References
Catalogues Select References
Journals and Magazines
Websites
The ceramics residency is an experiment to understand
- knowledge as emerging from haptic immersion
- knowledge as emerging from conversations with contexts
- knowledge as emerging from creation-reflection
for a ceramic residency at the IDC School of Design, from Januray to April 2025.
Applicants need to email a proposal.
The residency is oriented towards experienced (at least 3 years) practitioners
who seek a reflective space for exploring new directions.
The proposal should have a statement of purpose (about 250 to 500 words)
and about five photographs of selected works (specifying size, material).
Email: rajam@iitb.ac.in
Any conventional instructions about what to practice, though
there shall be a few invited talks and seminars in the conventional mode.
Accommodation on campus is difficult (guest house facilties could be arranged
as per the tariffs applicable).
Access to studio infrastructure - electric wheel, kilns (electric / gas / wood-fired), slab-roller
Clay and Glaze Materials
A quiet workspace and campus environment for reflecting on their practice
Feedback from mentors (master-potters / senior-ceramic artists / academicians)
A space to display their works at the end of the residency
Charges for the infrastructure and studio space would be as per the norms of the CEP office at IIT Bombay (approximately Rs. 1.5 Lakhs)
Charges for clay and glaze materials, and firing charges (as per actuals)
Traditional potters will be compensated for the time they spend in the studio
No
Yes, a certificate from the CEP Office, IIT Bombay certifying participation in the course "Playing with Clay" but no formal diploma or degree.
For traditional potters, an invitation to "play" and articulate what this means for them.
For studio potters too, a similar outcome.
Gurcharan Singh, Delhi Blue Pottery
Ceramics Fest Delhi '24: Delhi Blue Pottery Trust
Wabi-Sabi and Swadeshi - Annapurna Garimella
Golden Bridge: Deborah Smith, Ray Meeker, GBP Pondicherry
Jaipur Blue Pottery
Lee Kang-hyo 'Onggi Master'
Korean Master Potter
Bizen - Kazuya Ishida
Peter Volkous
Moved by Beauty: Works by Lucie Rie
Hans Coper
Edmund De Waal, Cambridge Union
Edmund De Waal, Galerie Max Hetzler, Berlin
Contemporary Ceramics
Books
New Handbook for Potters, Nirmala Patwardhan
Daly Greg, Developing Glazes, Bloomsbury, 2014
Yanagi Soetsu, The Unknown Craftsman, Kodansha, USA, 1984
Troy Jack, Salt Glazed Ceramics, Watson-Guptill, New York, 1977
Singh Gurucharan, Pottery in India, Vikas Publishing, 1979
Strober Eva, Symbols on Chinese Porcelain, Arnoldsche, 2011
Bloomfield Linda, Contemporary Tableware, Bloomsbury, 2013
MRIN: ICAF, Vol 1-4
Indian Ceramic Quarterly, Delhi Blue Pottery Trust
www.delhibluepotterytrust.com
www.simonleachceramics.com